It seems like every year of the Index Card a Day Creative Challenge goes by a little bit faster, and this year is no exception. I'm planning to savor the remaining time... one 3x5 card at a time! Here are the most recent seven:
Monday, July 20, 2026
ICAD is Nearly Over? Already?!
Monday, July 13, 2026
I Can, Therefore ICAD
Monday, June 1, 2026
Happy ICAD Day
It's June first, which means it's the first day of the 2026 Index Card a Day project: 61 consecutive days of making art on index cards. Like this:
It's Monday, so of course I'm kicking off with a mandala. This one features a bunch of my favorite shades of Ranger's Archival Ink; details and lines via black Letter It Fineliners and white Posca pens.
Monday, May 25, 2026
Color + Pattern
It's a bold and bright Memorial Day Mandala Monday featuring lots of gorgeous Archival Inks, a few of my favorite Make-It Stencils, and plenty of Posca Pen and Letter It Fineliner details... all in my Dina Wakley Watercolor Journal.
If you're having a cookout today... save me a burger, k? ♥
Monday, May 18, 2026
Carousel Mandala
Saturday, May 16, 2026
Flowery Bags Are My Bag, Baby!
I have always loved elaborate giftwrapping, stencils and inks... so here's a post that combines all of the above:
I used an ancient hollyhocks stencil on an 8 x10"(ish) white gift bag from the big box store. I applied Simon Hurley's pale pink Rosy Cheeks dye ink from Ranger to the entire flower and blended some darker pink Prom Queen into the centers.
To make the flowers stand out more prominently, I put a soft shadow to the righthand side of each stalk with a medium grey brushmarker, then added messy outlines with a Letter It Fineliner. Sunflower Stickles centers and a scattering of Eyelet Outlet Clear Jewel Bling; because let's face it, a little bling is almost ALWAYS a good idea!
Friday, May 15, 2026
Snow Far, Snow Good
We're still creating cards that feature snow this week at Jingle Belles and we'd love for you to join us. In the meantime, here's what I made this week:
Hop over to Jingle Belles to see Stephanie's card, check out the Readers' Gallery, and get a peek at the tiny Snow-centric prize that one lucky cardmaker will score, just for linking up with us this fortnight. JB2610: Dashing Through the Snow runs until the evening of Wednesday, May 20th.
Saturday, March 21, 2026
Even MORE Roses!
Spring is officially here but it'll be a little while yet until we see daffodils in our gardens, much less roses; so here are some that I painted using three of my favorite new Archival Ink shades from Ranger: Sweet Treat, Avocado Toast and Sand Castle.
I used a waterbrush full of Isopropyl Alcohol to pick up Sweet Treat ink I had smooshed onto my craft sheet, swirled it around into loose, semi-circular shapes, let it dry and then "found" the layers and petals of the roses and used Wendy Vecchi's brilliant Wonky Double Outline Trick with a Black Letter It Fineliner. For leaves, a vaguely triangular shape with the hypotenuse tucked under the flower works pretty well and a little bit of tannish Sand Castle ink mixed with the Avocado Toast adds interest and the illusion of texture.
As with most of my watercolors (whether done with water-based or alcohol-based media) I like to use up any extra pigment by splashing it as speckles randomly on top of my design. So I did.
Monday, March 16, 2026
Bokeh Batik
One of my favorite things about working with Ranger Archival Inks is that you can do a lot of the fun little tricks I love about watercolor, but instead of working with water, you use 91% Isopropyl Alcohol. BUT... for sciencey reasons I don't entirely understand, the fact that you're using alcohol instead of water means you can be working on fairly thin paper or cardstock and it won't warp or rip or pill or otherwise hurt your substrate.
In this case, I used an ink blending tool to add all of my Archival colors, letting them overlap a bit to create new shades in between; then I flicked on LOTS of droplets of clear alcohol, over and over, blotting them each time to pick up a little color. Until I finally had this very cool effect that almost looks textured. And, as you can see, my page is not lumpy. bumpy, ripped or wrinkly. Some of the color DOES seep through to the back of the page, however, something you might like to keep in mind if you try this fun "trick".
BTW, all of the above is just one tiny little portion of information I've learned from the very awesome Wendy Vecchi, and if you aren't watching her Tip Tuesday videos on Instagram or Facebook, you are realllllly missing out!
Monday, March 9, 2026
Too Much?
I'm putting the "psycho" into "psychedelic" this Mandala Monday. I started out with a fab mix of Archival Ink colors and Simon Hurley's awesome two-part Sunrays Layering Stencils. I probably should've stopped at ONE mandala ring and made the petals more consistent though; the combination of sunrays and offset circles is a bit dizzying, lol. Ah well.
Is this my favorite mandala? No. Did I "waste" my paper, ink and time? Also no! I tried something new, I enjoyed working on it, I learned a few things to do... and a few things not to do next time. All of which adds up to a successful art session, if not necessarily a beautiful finished piece. And I'm absolutely fine with that. Hope your week is off to a good start!
Monday, March 2, 2026
The Blues Are Still Blue
It's a bold, blue (and green!) Mandala Monday featuring precisely half of the newest Archival Ink release from Ranger; to wit: Best Dressed, Big Plans and Avocado Toast. In my Dina Wakley Watercolor Journal, with some Make-It Sprinkle Hearts Stenciling on top. Letter It Fineliner and Posca Pen details.
Monday, February 2, 2026
Sunshine Mandala
It's a bold and beautiful SUNSHINE Mandala Monday... on a library card; thus combining a bunch of my favorite things together in a conveniently portable 3x5" format.
Hope your week is off to a sunshiney start! ♥♥♥
Sunday, February 1, 2026
In Winter...

Monday, January 5, 2026
First Mandala Monday of 2026
I'm making a POINT(settia) this Mandala Monday, with an extra-vivid, poinsettia mandala in my sketchbook. Made with Tombow Dualbrush pens and Letter It Fineliners. I hope your first full week of 2026 is off to a good start!
Monday, December 22, 2025
Ornamental Mandala Monday
Saturday, November 22, 2025
Cut-Pages Doodle Spread
A couple of weeks ago I cut into a page of my Dina Wakley Kraft Journal in order to put this zen-doodle pumpkin on a background page of orange patchwork. It left the remains of an interestingly curvy border that I had been planning to remove. In the meantime I saw a couple of art journal pages on social media, where the artist had cut into a page or two, then treated that group of pages as a single spread. And I thought, "OOOOH! I have to try that!" So I did!
As you can see, I was having so much fun with the idea, that I cut waves into two additional pages. I had thought about doing layered collage or stamps or stencils... but in the end, I just grabbed my Posca Pens and had a doodle-fest.
Monday, November 3, 2025
Pumpkin + Patchwork
Here's a twist on the ordinary mandala: it's a zen doodle pumpkin drawn with Letter It Fineliners from @ranger_ink ...set in a patchwork of orange patterned paper. Inside my Dina Wakley 6x6" square Kraft Journal, which is no longer available but... there are lots of other amazing journal choices at Ranger; including large, small, Kraft, watercolor, square, ledger and more; you should probably check them out!
I hope your first week of November is off to a good start! ♥
Monday, October 6, 2025
Pink + Orange = Joy
Here's a Mandala that is perfectly flat but also (...strangely enough...) has about five layers, which I'll attempt to describe below.
Layer 1: The color. I smooshed some Simon Hurley Stellar Inks (Prom Queen, Guppy and Shooting Star) onto my craft sheet, misted with isopropyl alcohol, then picked up the color with the cardstock panel. This layer, in itself, is arguably multiple layers, as I applied each color more than once, sometimes flicked a diluted color onto the wet design, and even dried the paper a couple of times in between shades so they wouldn't dilute.
Layer 2: The hearts. Simon Hurley Happy Hearts Stencil applied pretty lightly in Bee Sting and Guppy; later I toned down a few of the hearts in the background even more with a little bit of Dina Wakley White Gesso.
Layer 3: The grungy bits. Ancient rub-on transfers, mostly white ones, a few with hints of pink or green. Some of them rubbed-on imperfectly due to age; some rubbed on quite neatly and I scraped bits off when they interfered with...
Layer 4: The mandalas! I used my medium tipped black Letter It Fineliner and the Helix Circlemaker for this step. I usually start by drawing the main shapes (circles, big petals) so I can see how much room the primary design will take up; then I come back in and add the details: veins and scallops and stitch marks, oh my!
Layer 5: The details. This is where I selectively applied the gesso I mentioned in Layer 2; mostly to the outlying pink hearts, which were a bit distracting in their full-color state; I also added a bit to the edges of the panel. At the very end, I flicked some White Gloss Spray on top. Before adding the mandala to an A7 card base, I matted it on orange glitter cardstock and machine-stitched around the edges.
And there you have it: a flat card with lots of layers, guaranteed to add a little sunshine to any mailbox!
Monday, September 15, 2025
Another Mondrian Mandala Monday
It's been a while since I've done a Mondrian Mandala Monday, so here's quite a straightforward version in which I've adopted both the primary color palette and the gridded structure of Piet Mondrian's Utopian abstract designs... then added mandala details into some of the blocks.
Black Letter It Fineliners from Ranger (they're on sale!) plus a few red, yellow and blue Tombow Dual Brush Pens in my Canson Mixed Media Sketchbook.
Monday, September 8, 2025
MM36
It's a Wibbly-Wobbly Mandala Monday which I cannot say I'm in love with... but it was fun to make and it's a colorful beginning to my latest sketchbook; it's the 12th one, I believe.
Handcut grungy patterned paper shapes at the center; more shapes added with brush pens further out towards the edge; lots of Fineliner and Posca Pen details throughout.



































