The first full week of the Index Card a Day Creative Challenge is complete and here are my cards from the past seven days. For all the info about ICAD, visit the ICAD Base at Daisy Yellow Art or @indexcardaday on Instagram where you can find prompts, ideas, inspiration and more!
Day 8: Off-Prompt: Mandala Monday
This week I got some of the new Simon Hurley Stellar Ink shades from @ranger_ink so obviously, I had to test drive those babies, and Mandala Monday is always a good opportunity for that. On this card, I "smooshed" the new colors, one at a time, onto my craft sheet and used a waterbrush full of Isopropyl Alcohol to pick them up and paint the basic shapes onto my index card.
WHY would I use rubbing alcohol instead of water to "watercolor"? Well, for reasons I'm not sciencey enough to understand, alcohol will not warp or pill cardstock or paper in the same way that water does. (For the record, this is one of the many, MANY cool things I've learned from @wendyvecchi who is brilliant as well as inspiring!) This is a valuable technique for any ink that is alcohol- or oil-based like Ranger Archivals (because water just doesn't work at all with those inks); but as it turns out, you can use it with any type of ink, including Simon's gorgeous water-based Stellars.
Once all the colorful shapes were in place I used a Letter It Fineliner and some Posca Paint Pens to add details and echo the various ink colors, which are: Buzzkill, Fruitcake, Ultraviolet, Siren Song, Cry Baby and Iced Out. And who can resist a little splatter on top?
Day 7: Seahorse
This is one of the fastest (& funnest if you'll pardon my syntax) ICADs I've ever made: I started out with the intention of drawing a stylized seahorse with brush markers... got obsessed with the colors and curly-up tails... et voila! As an absolute CHAMPION of overthinking, this feels like a huge win. Bonus celebration: if there's a "Rapunzel" prompt later this summer I can re-use it, lol! :) :) :)
Day 6: Scarlet
Is this an actual collage or just a wanna-be infographic? I don't actually know and I'm not sure it matters; because either way it does firmly encompass today's (optional) #dyicad2026 prompt of #scarlet. And I've given myself the bonus joy of staging the photo with a bunch of other gorgeous red things that didn't fit onto my gridded indexcard!
Day 5: Off-Prompt
Every year, I spend a proportion of ICAD either trying to disguise the ordinary index cards' lines or using the backs or divider cards to avoid them entirely; but once in a while, I embrace the lines and let them work for me!
Day 4: Yearbook
Weirdly enough, this yearbook photo of my Dad turned up in a box of paperwork my mom recently asked me to sort through. I say weirdly enough, because the box held mostly ancient financial and legal documents, the majority of which I shredded; but there were a few tiny treasures, including my grandfather's passport, some newspaper clippings, and this photo. So when I saw the word, "Yearbook" on the prompt list, I knew immediately what the centerpiece of my card would be. I've added part of an old map from the area where I grew up; the illustration of a slide rule (my father was an electrical engineer); a library checkout card with the name William and a bee (he went by Bill); plus a bit of foliage which honestly has no narrative significance, I just wanted some color and the map had lots of green.
Day 3: Magnolia
The One-Staple Collage (OSC) is a beloved (well by me, anyway) ICAD tradition, stretching back... gosh... maybe ten years? I'm honestly not sure when it happened, but at some point in the mists of ICAD history, Tammy G typed the words "stapled collage" and I saw them and somehow instantly determined that this would mean a collage held together by ONE STAPLE. Which, as it turns out, is harder than it sounds, lol! But... also a very interesting (again, to me) exercise in both selecting interesting elements; and then arranging them so you can see them distinctly, but still attach them at a single point.
In this case, the staple is right on top of the butterfly's body, and yes, it's hard to see, for which I apologize. There are only five elements. They are, from furthest back: A library catalog card; an illustration of Saturn; a Georgian building from an old architecture book; a pair of magnolia blossoms between which I deliberately left a "bridge" of paper for sturdiness; and finally the butterfly... angled so his body (and thus the staple) is positioned to be able to secure everything underneath.
Whether or not you're a fan of traditional collage, I invite you to give this fun and challenging technique a try at some point during ICAD!
Day 2: Type
I couldn't wait to get out this ancient set of wood-mounted typewriter font alphabet stamps, I just wasn't quite sure what I would stamp, lol. One of the first things I stumbled upon (via Mr. Google) was this apt quote from Gustav Klimt. A bit of serendipity there, as I had just finished a novel in which said Austrian Symbolist painter and Vienna Secessionist was a character. So... job done!
If you're interested, the strange and wonderful book in question is Anima Rising by Christopher Moore. In addition to Klimt, the real-life figures of Egon Schiele, Sigmund Freud and Carl Jung appear; as well as the fictional characters of Victor Frankenstein, his Monster and the Bride... (Klimt names her Judith) ...who is the protagonist of the book. If you've read anything by Moore, you'll know that he loves to combine well known historical figures and events with plots and characters from classic literature, drama and mythology. I enjoyed this title very much, though my top three Moore books are still: Serpent of Venice (mash up of Merchant of Venice and Othello; narrated by the Fool from King Lear... obvs...); Sacre Bleu (Henri Toulouse-Lautrec and pals, in Monmartre, late 19th century, just after the suicide --or possibly murder-- of Van Gogh); and A Dirty Job (average single dad in 20th century San Francisco somewhat unwillingly takes on a side-hustle as... wait for it... a Grim Reaper??!) BTW, all of Moore's stories are outstanding as audiobooks, which is the format I recommend for maximum enjoyment.
(NOTE: This author is definitely NOT to everyone's taste; apart from unusual plots with many literary and cultural allusions, there's generally quite a bit of hardcore cursing, as well as some sex and violence; if rated like films, Moore's books would get strong PG13 or mild R ratings.)
Day 1: Mandala Monday (off-prompt)
Technically, this card was from last week, but as I wrote this post, it felt weird to start at Day 2, so... here it is again, lol! It's a mandala, since June first was a Monday; and it's done with Archival Ink shades and a Letter It Fineliner because those happened to be sitting out when I was ready to start. (Many of my art-making decisions are determined by what is to hand at any given time, especially ICADs which I tend to work on at 10pm; a time when "not getting up again" is, frankly, a priority.)
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To see my cards as the get posted each day, visit my Instagram feed, @llaurenb and while you're there, be sure to check out the official ICAD page, @indexcardaday and the official hashtag, #dyicad2026 for lots more ICAD inspo from artists all over.
